Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
£7GBP or more
Limited Edition Cassette
Cassette + Digital Album
Cassette tape with Risograph inlay card. Cover image generated by neural network trained on images of medieval musicians. Only 50 copies available.
Includes unlimited streaming of A Late Anthology of Early Music Vol. 1: Ancient to Renaissance
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Sold Out
Limited Edition Cassette (2nd Pressing)
Cassette + Digital Album
Cassette tape with Risograph inlay card. Cover image generated by neural network trained on images of medieval musicians. Second pressing after first pressing sold out. Only 50 copies available.
Includes unlimited streaming of A Late Anthology of Early Music Vol. 1: Ancient to Renaissance
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
“While you live, shine”
Epigraph of Seikilos - 1st or 2nd century AD
For my sins, I spent many years teaching the history of Western music to undergraduate students. I taught the “grand tour” - two millennia of music history crammed into three terms. The party line in the textbooks I was required to teach from was clear - after a brief detour to Ancient Greece, Western music unfolded from the voice, evolving with logic and clarity, from plainchant to organum and the motet, polyphonic counterpoint and beyond, successive genres building on and fractally expanding what came before.
Dadabots, the duo of machine learning specialists CJ Carr and Zack Zukowkski, trained their neural network Sample-RNN on hours of a cappella recordings of my voice, producing 841 files over 40 generations of training. When CJ and Zack sent me the files, I was struck deeply by how it felt to listen to the network learning - the early files consisting of long notes and glitchy errors gradually giving way to moments of bizarre melody, whistles and washes of white noise before the sound of my own voice began to emerge. I was struck by the parallels with the party line of my music history days. 40 generations of my voice; 40 human generations living and dying over the 1200 years of music history we covered in the first term.
In A Late Anthology, I map the development of the network’s understanding of my voice onto the history of early Western music. Machine learning is used as a filter to listen to the history of early Western music; Western music history is used as a filter to listen to machine learning. In combination, they produce a new alternative tradition, a proposal for a different way of thinking about, listening to and making a history of Western music.
credits
released February 21, 2020
Design: Eurico Sá Fernandes
Mastering: Alex Bonney
Huge thanks to Dadabots
for Professor Theodore Karp
supported by 34 fans who also own “A Late Anthology of Early Music Vol. 1: Ancient to Renaissance”
This album is super fun (and also pretty hard) to listen to, boasting 6 hours of music, and I enjoyed listening to it. All I can say is listen to it. SoundSlater
supported by 30 fans who also own “A Late Anthology of Early Music Vol. 1: Ancient to Renaissance”
Eerie, expansive, and breathtaking. This is ambient drone on an epic scale. The effect that some of these pieces have when they abruptly end is shattering -- these sounds become a part of your consciousness, and when they drop away, you're left in silence more intense than you've ever felt. Steven Moses
supported by 28 fans who also own “A Late Anthology of Early Music Vol. 1: Ancient to Renaissance”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt